You Must Be Kidding:
--Recently revealed remarks by Palestinian Ambassador to Chile Imad Nabil Jadaa made at a conference two months ago, which just cost him his job.
Americans for Peace Now (APN) strongly condemns vile anti-Semitic statements made by the Palestine Liberation Organization’s ambassador to Chile, in which he denied the existence of a Jewish people, accused the Zionist movement of striving to “dominate life in the entire planet,” and hailed the forged “Protocols of the Elders of Zion” as recommended reading.
APN calls on Mahmoud Abbas, the Chairman of the PLO and the President of the Palestinian Authority, to repudiate the statements of his ambassador to Santiago, Imad Nabil Jada’, to dismiss him, and to remind Palestinian officials of the terrible impact of hate-speech on the cause of peace.
This week, Alpher discusses the strategic significance for Israel of last week’s sweeping Islamist attacks on Egyptian army installations in Sinai, near the border with Israel; the regional implications, shared by Israel with some of its neighbors and with Europe, Russia and the United States; defines Israel’s dilemma in strategic terms, and what the ramifications are; how West Bank-based Hamas and lone-wolf terrorism affect Israel’s relations with Palestinian Authority leader Mahmoud Abbas; and what this portends for the prospect of an Israeli-Palestinian peace process.
This is another in a series of reviews of new books on Middle Eastern affairs. We asked Dr. Gail Weigl, an APN volunteer and a professor of art history, to review Sandy Tolan's new book about young Palestinian using the power of music to transform their lives under occupation.
APN's Ori Nir interviews Sandy Tolan.
Sandy Tolan, Children of the Stone: The Power of Music in a Hard Land (New York, 2015). 438 pages. $28.00.
Sandy Tolan’s Children of the Stone: The Power of Music in a Hard Land reads like fiction, but is a meticulously documented work of non-fiction, as the author makes clear in his introduction to the extensive source notes. While the book remains focused throughout on the main protagonist, Ramzi Aburedwan, his musical training and successful effort to bring the healing power of music to the Palestinian communities of the Israeli Occupied Territories, equal – if not more attention – is devoted to the Israeli-Palestinian conflict, from the founding of Israel to the present. The stage for Ramzi’s story is never-ending physical and emotional violence perpetrated against the Palestinian people by the Israeli government and IDF. That history is interconnected with the more or less extensive stories of many Palestinians, Europeans and Americans devoted to music as the means to assuage Palestinian suffering and restore Palestinian honor and identity.